Jan Fabre (Antwerp, 1958) is one of the most important artists and dramatists of his generation. Fabre’s work, which is intended to break down barriers between different categories of art. The star of this subtle draftsman and unique creator of shocking and at the same time enigmatic sculptures and installations rose at the Venice Biennale of 1984 when Jan Hoet chose the 26-year-old to represent Belgium. Subsequently, the work of this obsessive artist, leaving no spectator indifferent, has provoked and fascinated at the Biennale shows of Sao Paulo, Lyon, Valencia and Istanbul, at the Documenta IX in Kassel and several, today legendary exhibitions, from “Metropolis” in Berlin to “Outlook in Athens, 2004.
Ever since the 80ies, Fabre has explored the body, has made the dualism of the physical and at the same time spiritual body the center of his examinations. “I am interested in creating the history of the spiritual body. The body as a shell, empty, yet full of memory”, says Fabre. In all of his works, one motif recurs: the vulnerability of man and the attempt to make him stronger and less exposed. The armour which in the film protects Lancelot physically but tortures him spiritually signifies in the 18-piece installation “Battlefield” a memento of human aggression and bloodshed which has existed uninterrupted through all time.
SELECTED SOLO EXHIBITIONS
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1985
1984
1981
1980
1979
SELECTED GROUP EXHIBITIONS
2005
2004
2003
2001
2000
1998
1997
1995
1993
1992
1991
1990
1989
1988
1987
1985
1979